Matthew McConaughey and Woody Harrelson were seen on South Congress Avenue in mid-November.
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One of Hollywood's favorite duos, Matthew McConaughey and Woody Harrelson, were spotted on South Congress in mid-November with a camera crew.
Nobody is exactly sure what these two are up to, but that hasn't stopped the rumor mill from churning. Some say it's for their upcoming Apple TV+ series, Brother From Another Mother. It'sa 10-episode comedy that is a "heartfelt odd couple love story," according to The Wrap, quoting an early press release. It takes place on a ranch in Texas, so filming around town would make sense.
South Congress Avenue certainly doesn't look like a ranch, though. The actors looked foppish, Harrelson in an all-maroon suit and shiny leather shoes, and McConaughey in a loud, royal purple patterned shirt.
Another theory was that they were shooting Salesforce ads, and someone in the same thread suggested (without a source) that what they were filming wasn't a narrative feature.
And of course Reddit is doing what it does best:
McConaughey and Harrelson starred together in the first season of True Detective.reddit.com
McConaughey said on Access Daily that his mom started the rumor that he and Harrelson are half-brothers.reddit.com
But even though no one knows for sure what the two are doing here, we do have reason to believe that the two real-life best friends and former EDtv and True Detective co-stars are still around. According to an insider, who can't say much because the project is still in the works, the two are "still shooting a bunch of stuff around town," though where they'll be next is a mystery.
And remember, "Time is a flat circle. Everything we have done or will do we will do over and over and over again — forever.” So if you don't catch them this time, sounds like you'll have another chance.
Sebastian Stan is Mihai, a father of five, in the Norway-set film Fjord.
In modern society, where fear of “the other” has made many people into insular creatures, it has become easy to get locked into one point of view. The new film Fjord will be a challenging one for many viewers, as it puts forth a situation that confronts narrow-minded thinking and forces even those who think they’re open-minded to re-evaluate their own biases.
Mihai (Sebastian Stan) and Lisbet (Renate Reinsve) are a married couple who have just moved back to Lisbet’s home country of Norway. They have five children, all of whom were born in Romania, Mihai’s home country. The family, which is part of an unspecified Evangelical Christian sect, runs into issues almost right away when their oldest daughter, Elia (Vanessa Ceban), shows up to school with bruises on her body.
A well-intentioned but perhaps overzealous Child Protective Services system gets put into motion, resulting in the children being removed from the home while Mihai and Lisbet are being investigated. The parents, while acknowledging some minor physical punishment, deny doing anything that would cause bruising, and the possible failings of the system mostly get ignored despite a lack of hard evidence.
Written and directed by Cristian Mungiu, the film is an infuriating watch due to its depiction of a system that seems to be oblivious to its own faults. But it’s also illuminating, as the cultural and linguistic divide that exists between the characters in the film could just as easily be applied to those viewing it. Misunderstandings arise as people switch between Norwegian, English, and Romanian, and interpretations of different words or phrases play a crucial role in how people and actions are perceived.
But the film is about much more than just language mix-ups. Mungiu is purposefully vague about Mihai and Lisbet’s religion, but it’s clear that it leans conservative. This puts them at odds with a liberal society in Norway, and more than one character voices their disapproval of the family’s beliefs. The film is framed in such a way, though, that it’s those who are seemingly most progressive who can’t get over their own prejudices, with Mihai and Lisbet rarely being able to object to how they’re being treated.
The cold and forbidding landscape adds to the drama of the film, especially when Mungiu includes side stories from Mihai and Lisbet’s neighbors about, for example, a rebellious neighbor daughter or their ailing father. While those elements don’t impact the plot much, they add complexity to the film as a whole and demonstrate that some characters are more than who they seem to be on the surface.
Stan, who’s had notable roles in recent years in A Different Man and The Apprentice, puts in another solid performance that is less showy. With a bald head and stoic-but-firm demeanor, he brings depth to a potentially unlikable character. Reinsve, coming off the success of Backrooms, is the emotional center of the film and demonstrates chemistry with Stan after co-starring in A Different Man. The supporting cast is all solid, especially the actors portraying lawyers, who bring to life a system that seems much different from that in the U.S.
Fjord does not play out like a typical American film would if it were depicting a similar situation, and by holding back where more western storytellers wouldn’t, it allows viewers to make up their own minds on who is right or wrong. Many things go unspoken in the film, and the debate on what should happen with Mihai, Lisbet, and their family continues even after the film ends.